Extreme Processing Music Production

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In this tutorial, KSHMR highlights his best tools for extreme processing to make specific sounds bigger & brighter. Expect to learn strategies for compression, EQ, parallel processing, saturation, glue compression, limiting, transient emphasis & more in order to achieve big, bright & punchy sounds on specific production elements in dance music such as main leads.


5 responses to “Making Your Sound Big With Extreme Processing”
  1. Soly Synth Avatar
    Soly Synth

    You are the best in the world; without you, there would be no music <3

  2. Ferenc Gulyás Avatar
    Ferenc Gulyás

     Really good tips. I personally sometimes just too lazy to work more on sounds. 🙂

  3. Robert McEathron Avatar
    Robert McEathron

    Your sounds and knowledge are unrivalled. You are an incredible instructor as well. Thank you for sharing your talents with the community! Looking forward to diggin in and using your instruction as inspiration!

  4. David Zhang Avatar
    David Zhang

     Such tons of details.. u r the best

  5. Gabriel Olmos Avatar
    Gabriel Olmos

     I have a question. You added the transient that you lost when limiting the signal. At the end of the video, you play the song with all the processing. Do you apply sidechain to the signal to prevent the kick from clashing with the lead?